Share to Social Media
Log in to your Account
Forgot Password
If you have forgotten your registered email, please contact our Client Services Team for further assistance.
Create an Account
Password Strength: Weak
Password Strength: Fair
Password Strength: Strong
Reset Password
Password Strength: Weak
Password Strength: Fair
Password Strength: Strong
Confirm Your Bid
Sale HK006 | Lot 227
Tang Haiwen (1927 - 1991)
The total purchase price of the lot for your reference:
(including % Buyer's Premium)
Placing a maximum bid does not mean you will end up paying the full amount of your maximum bid. The system will automatically place consecutive and incremental bids on your behalf up to but not exceeding the amount of your maximum bid in response to other bids placed during the live auction.

When you confirm the bid, it means you are committing to buy this lot if you are the successful bidder and you are irrevocably agree to pay the full purchase price including % buyer's premium. You may nevertheless raise or lower your maximum bid 24 hours prior to the live auction starts. It also means that you have read and agreed to our Terms and Conditions of Purchase and Terms and Conditions for Online Bidding.
CONFIRM BID CANCEL
Lot 227
Tang Haiwen (1927 - 1991)
Paris
HK$35,400
Tang Haiwen (1927 - 1991)
Paris
ink on paper, diptych
executed in 1972
each: 70 x 50 cm. (19 5/8 x 27 1/2 in.)
total: 70 x 100 cm. (39 3/8 x 27 1/2 in.)
FURTHER DESCRIPTION
In the evolution of Western abstract art, many artists have been inspired by traditional Chinese cultural art and calligraphy and combined traditional art form of the orient with western techniques. Among them, Tang Haiwen was one of the representatives.

He studied in France in 1948, where he learned the abstract forms of Western expressionism; he tackled European modern painting from an oriental angle, naturally applying his understanding of calligraphy lines in his paintings, and adding to his creations elements of Chinese philosophy regarding all things in the universe. He integrated Chinese and Western art, he was well versed in the use of ink, and created works in diptych and triptych; his brushstrokes manifested a transcendence as if from meditation, and a regulated flow of chi, exuding a quality that is uniquely oriental. The contrast between the structure of the ink and the space around it gives this piece an emotional tension and a dynamic rhythm.

NOTE
Accompanied with certificate from Lin & Keng Gallery, Taipei
SELECT CURRENCY